How might the know-how of choreography, performance, and activism—through collaboration, self-organized communities, and allyship—move us toward antifascist “world-making,” through the gestures of bodies, the force of collective action, and the everyday practices of resistance?

How might the know-how of choreography, performance, and activism—through collaboration, self-organized communities, and allyship—move us toward antifascist “world-making,” through the gestures of bodies, the force of collective action, and the everyday practices of resistance?

How might the know-how of choreography, performance, and activism—through collaboration, self-organized communities, and allyship—move us toward antifascist “world-making,” through the gestures of bodies, the force of collective action, and the everyday practices of resistance?